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Giorgio by Moroder
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Daft Punk
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When I was fifteen, sixteen, when I really started to play guitar I definitely wanted to become a musician It was almost impossible because, it was, the dream was so big That I didn't see any chance because I was living in a little town; I was studying And when I finally broke away from school and became a musician I thought, "Well, now I may have a little bit of a chance" Because all I really wanted to do is music And not only play music, but compose music At that time, in Germany, in '69-'70, they had already discotheques So, I would take my car Would go to a discotheque, sing maybe 30 minutes I think I had about seven, eight songs I would partially sleep in the car Because I didn't want to drive home and that helped me for about Almost two years to survive in the beginning I wanted to do an album with the sounds of the '50s The sounds of the '60s, of the '70s And then have a sound of the future And I said, "Wait a second, I know the synthesizer Why don't I use the synthesizer which is the sound of the future?" And I didn't have any idea what to do But I knew I needed a click so we put a click on the 24 track Which then was synced to the Moog Modular I knew that could be a sound of the future But I didn't realize how much the impact would be My name is Giovanni Giorgio But everybody calls me Giorgio Once you free your mind about a concept of Harmony and of music being "correct" You can do whatever you want So, nobody told me what to do And there was no preconception of what to do
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